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Barbara Sailor

Quintet
"Quintet"
28" x 20"
140 lb. Arches cold-pressed w/c paper with Holbein watercolors

This painting is a study of reflections - of reflections on antique glass bottles from red onions, garlic and a dark table using a limited palette.

See more work by Barbara Sailor
"Bleu d'Eden"
12" x 18"
Arches watercolor paper

This painting was done from many photos that I took during the spring season in Quebec. We are known for our apples but not everybody knows the beautiful apple blossom flower that comes before the fruit. I did my version of these flowers by painting them in blue but in reality they are different shades of pink and/or white.

See more work by Lorraine Arsenault

Lorraine Arsenault

Bleu d'Eden

Nita Leland

Dream On
"Dream On"
9" x 6"
Arches 140 lb.

This painting of my granddaughter was included in The New Creative Artist.

See more work by Nita Leland
"Boats"
12" x 18"
Arches 14o wt Cold Press/Winsor Newton

Painted from a photo of a friend. I've always enjoyed the vibrant color displays of boats in the Caribbean.

See more work by Barry Launius

Barry Launius

Boats

Eileen Bondoc-Escueta

At Land's End-Batanes, Philippines
"At Land's End-Batanes, Philippines"
16 x 20 in.
Winsor and Newton Artists Watercolor on Arches paper

Batanes is group of islands at the northernmost tip of the Philippines. The place is most beautiful in its simplicity and isolation.

"Footsies"

I am a colorist, paint all sizes and whatever strikes my fancy.

See more work by Martha Keim-St.Louis

Martha Keim-St.Louis

Footsies

Barry Launius

Ideally Situated
"Ideally Situated"
18" x 14"
Arches 140 wt. / Winsor & Newton

I most often paint from "love of subject." As an avid tropic traveler this simple painting speaks volumes of where my soul resides. Enjoy!

See more work by Barry Launius
"June Burst"
21" x 15"
D'Arches 140lb cold press-Windsor Newton watercolors

I agreed to give a demonstration at a Garden Club if the flowers were provided. A great deal of the success of this painting is due to the beauty of the bouquet. Having to work very fast kept it loose.

See more work by M.E. Whitehill

M.E. Whitehill

June Burst

Barry Launius

Seashells
"Seashells"
8" x 18"
Arches 300 wt CP / Winsor & Newton

It seems we have buckets of seashells from over 25 years of beach trips. I decided to put some to use as the subject of this painting. My ever present turquoise water in the background. Enjoy! I did.

See more work by Barry Launius
"Roses of Notre Dame"
30"x22"
300# CP

This is one of my favorite paintings that I have done because it reminds me of the travels together with my daughter. We loved seeing the soft rose petals in front of the hard, but beautiful architecture of the Notre Dame cathedral. The foliage in this painting is a little brighter and more brilliant than normal, because I was thinging of the light shining through the colorful windows of the chuch.

See more work by Annika Farmer

Annika Farmer

Roses of Notre Dame

Miriam Schulman

Park Avenue Rush
"Park Avenue Rush"
14x20" (36x51cm)
Watercolor on Arches

This is a bright colorful and happy artwork by Miriam Schulman depicting the taxis rushing along Park Avenue. The yellow taxis are happy notes against the bright blossoming trees and tulip lined boulevard. An 18x24" white mat is available from the artist for this piece which is a signed one of a kind original.

See more work by Miriam Schulman
"Orchids for Marilyn"
6 x 8
140 lb Arches CP / Daniel Smith Extra Fine WC

I must confess, orchids are one of my favorite flowers to paint in watercolor. They can be a challenge with the many different shapes and colors but I'm usually contented with the final results. This pretty orchid was painted from a live model for my friend Marilyn.

See more work by Susie Short

Susie Short

Orchids for Marilyn

Gwendolyn C. Bragg

Water's Edge II -- Croatia
"Water's Edge II -- Croatia"
18" x 23"
transparent watercolor on torchon paper

This is an example of my work inspired by methods taught in a master class under Lee Weiss many years ago. By painting on both sides of the paper and flipping it over and over on a sheet of acrylic I'm able to achieve the color mixing and textures I desire. More details are defined and refined after phase one is dry. It is a marvelous way to combine mono-printing and painting. I believe the resulting textures give the stones -- natural or architectural -- a sense of age and time.

See more work by Gwendolyn C. Bragg
"Birch Trees in Silouette"
22" x 30"
d'Arches Paper - Daniel Smith Watercolors

I enjoy saving the whites in my watercolors and birch trees are my favorite subject matter for accomplishing this technique.

Virginia Haines

Birch Trees in Silouette

LORRAINE P. DIETRICH, IAF, NEWS

Chou ornemental -- Fancy Cabbage
"Chou ornemental -- Fancy Cabbage"
18 high x 24 inches
transparent watercolor on Arches 300 lb c.p.

It was fascinating for me to paint such a subject. The colors, shapes and textures were very appealing to me. I like that paper's texture very much.

See more work by LORRAINE P. DIETRICH, IAF, NEWS
"Winter's Dream"
21 by 21 unframed
Watercolor on paper with a bit of carandache crayon

This watercolor painting is done in the deductive method of painting. This is done to give the impression of connective masses in the underpainting. This is part of my Koi series.

See more work by Shanti Marie

Shanti Marie

Winter's Dream

Frank Murphy

Just a Few Black-Eyed Susan's
"Just a Few Black-Eyed Susan's"
14" X 20"
W/N watercolors on Fabriano Artistico 140# CP

The Hay has been baled, however, some of the weeds, grass and a few wild flowers have returned before the farmer has time to clear the field.

See more work by Frank Murphy
"Winds of Inspiration"
27" x 22.5"
dye on Arches 140# ; hand-dyed canvas wall-hanging

Using a very liquid medium allows me to put my feelings on paper and be surprised by the results. I don't tire of going back to this painting to see what else is there. The wall hanging adds drama and softness.

See more work by Patricia Roshaven

Patricia Roshaven

Winds of Inspiration

Maury Kettell

One Stop too Many
"One Stop too Many"
32 x 43
Arches 140# Cold Press

Every now and again an idea pops into mind, but you're not sure what to do with it. The idea for this painting has been rattling around for a couple of years now. I think it is the creative process at its best--an idea that needs flesh. You can't get anxious about these things, you have to let them work; you have to be patient. So this last summer, I took some time to hang out with the art teacher at my school--an artist and gentleman by the name of John Brewer. We would meet up in the art room and do art--so I spent some of those days drawing on this composition, finally finishing the composition at the end of the first week of August--just about the time school was getting ready to reconvene. I took the composition home on the 7th, and painted every day and night that I had time, completing the painting on the 16th. I think the idea worked, and I'm looking forward to more paintings with this use of color.

See more work by Maury Kettell
"The Pine Tree Incident"
21" x 28" Image size
Arches 140# CP/ W&N watercolors

My cat, Lucky, at his favorite window, wondering why this tree hit the house.

See more work by Richard Price

Richard Price

The Pine Tree Incident

Gilles Durand

Bringing water home
"Bringing water home"
14" x 20"
W&N watercolors on Fabriano Artistico 140lb CP traditional white

In this everyday scene in Aït Ben Haddou, famous for the neighboring adobe fortified town which served as a set for many films in the Atlas region of Morocco, I tried to capture an instant of the village life and to convey a sense of place and light.

See more work by Gilles Durand
"Peony Festival Whites II"
22X30
Watercolor on 300lb. Arches Cold Press

Every Spring the Oshawa Horticultural Society, has a Peony Festival. They invite the public to enjoy this festival & artists to show their work in the park setting.

See more work by June Haynes

June Haynes

Peony Festival Whites II

Phyllis McDonough

Brixham Bridge
"Brixham Bridge"
w/c

painting of a a lovely place recently visited in Devon England.

See more work by Phyllis McDonough